Track 1. Tuning ambiance into chords (20/12/15)

Tonality became an issue with particular elements, as these aesthetics don't all have a signature key or tone that is easy to identify and transposing these elements may result in notes that are not what I actually intend, this became an issue with my chord structured ambiance effect.

FM and other micro manipulation helped create a clear chord, other times I had to work with what seemed aesthetically pleasing, this highlights the question of what one person can deem as sonic instrumentation and what is not, relating to what people in today's experimental electronic music scene can class as 'Music

As a draft I usually created an Operator instrument, this was an easy process to allow me to know my key and melody to arrange around, It also gave me insight into particular methods and aesthetics to my composition.

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