Work Progress (02/12/15)

Learnt throughout the production of track 1 (DnB) and beginning on my second composition the metal crashes song. That beginning with structuring and processing the Foley sound design and ambience effects, before laying a beat down to work around would help create a more dynamic sequence of rhythms that would make the whole structure flow with an almost spontaneous style of composition in which I gather a selection of audio recordings, pick and chose my favourites, based on audio quality, how clear and loud the sound is, for either or both low end and high end frequencies, possible clear tonal factors, or If there are any background aesthetics to be examined, depending on similar but more in depth analysis to the recordings, along with if it works with the original sound within the sample, to be used as part of the piece, this is decided on how the sound compliments or obstructs the sample quality.

With an initial premise of my song I process and manipulate them in order to work as harmonically structured piece.